我整个夏天都在柏林

喜欢安格拉和男演员听音乐＋吃饭这两场戏

一开始没啥意思的 只是夏娜莱克的声音真的好好听噢

3.5夏娜莱克毕业作品 看下来就是几组对话和人物关系 似是她扮演的作家笔中人物。结尾那段对话想到《**天***的出版商。已可以窥见导演的一种视角和结构。还是一起去划船好。

影像还是很干净很整洁，甚至由于景别更近回想起看《****》的感觉。文本还是有点没看懂，感觉有很多奇怪的分岔，但是钻不进去/看了点评论还有回忆了下，感觉就是个你看他又看你的结构，创作自省上的讨论大于实际探讨关系的内容。

And it is how exactly she puts communication at stake--how she foregrounds the neoliberal imperative to communicate, which has encroached upon postunified Germany, and, thus, how we are affected by the role communication plays in her film--that renders her work political, as a counter-cinema, insofar as it renders affectively sensible how "speech and communication have been corrupted," as Deleuze argues. //Abel M. The Counter-Cinema of the Berlin School[M]. Boydell & Brewer, 2013:114.